Devil's Ball in Erlangen: Russian disco and the master of satire!

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Matthias Köhler opens the season at the Schauspiel Erlangen with Bulgakov's "Master and Margarita" - a visual commentary on art.

Devil's Ball in Erlangen: Russian disco and the master of satire!

The new theater season opened in Erlangen on October 5, 2024 with an impressive production of Mikhail Bulgakov's “Master and Margarita”. The director was Matthias Köhler, who, together with dramaturge Natalie Baudy, implemented a condensed version of the complex material. The performance lasts over three hours and combines a variety of themes and emotions.

The opening takes place in a special context: Woland the devil, embodied by a character in the style of Klaus Lagerfeld, brings chaos into the lives of Moscow's cultural figures. This satirical depiction shows how art suffers under authoritarian regimes and how creatives can come under pressure - an important and timeless theme that Bulgakov explored in his work, originally completed in 1940.

Special staging

The performance of the acting ensemble impresses with its versatility and energy. The performance combines different styles, from whimsical dancing characters to haunting monologues, making the audience both laugh and think. A striking example is Pontius Pilatus, who appears as a karaoke singer and interprets his role humorously.

The stage designed by Patrick Loibl is visually appealing and encourages reflection. The contrast between futuristic elements and classic designs creates a striking backdrop that reinforces the complex themes of power and powerlessness. The chandelier made of Soviet stars and hanging chains symbolizes the pressing burden of the past.

Emotional vibrations

The production also shows the deeper humanity of the characters, particularly through the relationship between Margarita and the Master. Her search for love and understanding amid chaos becomes an emotional centerpiece of the performance. In the end, she reunites with the Master, symbolizing both a personal and collective hope for redemption.

The performance exudes an atmosphere of intense theater combined with a contemporary look at social issues. According to the creative minds behind this production, the connection between Bulgakov's fictional universe and today's reality is not accidental. For the first time, a piece is being recorded that not only entertains, but also stimulates thought and reflects current social challenges.

For anyone interested in theater and the art of storytelling, this performance offers a unique opportunity to experience the depth and relevance of one of the most significant works of Russian literature. More information about the Erlangen Theater and the comprehensive program can be found on the official website www.schauspiel-erlangen.de.

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