Viennese gallery owner revolutionizes the art scene - a look at her success!

Viennese gallery owner revolutionizes the art scene - a look at her success!

Untermarkersdorf, Österreich - Ursula Krinzinger, the impressive gallery owner, celebrates her 85th birthday this year and is therefore a strong influence in the international art scene. Until shortly before her day of honor she was on the Islamic Arts Biennale in Jeddah and in Alula, where she reported on the promising art projects that Saudi Arabia could shape in the next few years. "The king has discovered his love for art and culture", she optimistically commented on the future of art in the Middle East, as

The Krinzinger gallery was founded in 1971 and has organized more than 500 exhibitions of national and international artists since then. It has played an important role in the promotion of performance and action art, including renowned artists such as Marina Abramović and Chris Burden. Krinzinger is not only active in Vienna, where she works with her son Thomas, but also internationally and takes part in the world's most important art fairs, such as Art Basel and Frieze London. Her commitment will soon be recognized with a prize for her decades of work in Spain at Arco Madrid, which is donated by the legendary gallery owner Juana de aizpuru, such as Galerie Krinzinger explained.

a lasting inheritance

The gallery has been supported by her son Thomas Krinzinger for years, who continues her traditions and develops planning for the future. Ursula Krinzinger, who also launched a unique Residences program for national and international artists, enjoys being active in the art scene. Whether with international projects or in her impressive library in the "Krinzinger reading house", where over 5,000 artificial articles invite you to read, she shows that she always keeps an eye on what is happening in the art world. "I can't really let go," she confesses, while at the same time promoting new artists and continues to have a significant influence on contemporary art.