Free of care: Jazz concert of the quintet leaves magical sounds!

Free of care: Jazz concert of the quintet leaves magical sounds!

In the Kulturschranne von Dachau, a remarkable appearance of the Jonas carefree quintet took place, which not only caught the eye of his musical performance, but also through the personality of the drummer Jonas himself. Carefree, which describes himself as a composer of all pieces of the repertoire, brought his charming way into the moderation, often shaped by a personal "I", while his fellow musicians, who also contributed excellent solos, acted in the background.

The source of inspiration Sorgean is just as exciting as it is diverse. He draws suggestions from his private environment and his preference for classic computer games. There are titles like "Pac Man’s Revival" in his work, which takes the listeners on a musical journey. Even deeper thoughts were expressed during the pandemic, for example in the play "(Peaceful) Life Upon a Dying Star", which deals with the future of the planet.

invitation to the associative hearing

carefree to the audience to experience the music associatively, which underlines the character of program music. This art form tells stories and pictures beyond the grades. It was noticed that the different sources of inspiration by the drummer, from elephants to the end of the world to nostalgic computer games, ultimately result in similar soundscapes. A dramaturgical focus on melodies from the world of games remained unmistakable, which room opened up for questions about the thematic diversity of the performances.

The worries that the music could not impress were unfounded. The remarkable musical quality of the performance spoke for itself. Although the group is responsible for the overwhelming overall impression, the group was particularly responsible with its dynamic and filigree drum performance. Even in quieter passages, he showed a remarkable activity and created a complex sound full of details that revitalize the music in a unique way.

The melody of the ensemble represented another highlight. Guitarist Philipp Brämlswig shone with art not only to play harmonies, but also to make them melodic. The two saxophonists, Denis Gäbel and Florian Trübitsbach, also revived the interaction, with Trübisbach often taking on the leading role with its soprano saxophone. His solos were remarkable, with a mixture of elegance and intensity, which always kept the balance between control and expressiveness.

Overall, the appearance of Jonas was more than just a concert in Dachau. It was an invitation to explore deeper emotional and musical levels and to participate in the artist's ideas. Further information on this appearance offers reporting on www.sueddeutsche.de .