Generational change in the Lilarum puppet theater: tradition meets innovation

Generational change in the Lilarum puppet theater: tradition meets innovation

The Lilarum puppet theater, known for its creative and imaginative performances, is currently undergoing a remarkable transformation. There is a generational change at the top of the theater that promises new ideas and approaches, while the tried and tested traditions will continue to have a place. The founder, Traude Kossatz, has retired from both management and creative direction after decades of successful leadership.

Since Lilarum was founded in 1980, the institution has had a permanent place on Landstrasse. Her son, Paul Kossatz, not only grew up in the theater, but also took over the management. He receives support from the new creative director Andrea Gergely, who has been part of the Lilarum team since 1997, and Andreas Moritz, who has been part of the family for just as long.

New creative impulses

A highlight of the coming season will be the piece “Fleckchen”, which was written by Andrea Gergely herself. It revolves around a fawn and represents her first complete manuscript. Gergely will not only stream creative energy for the piece, but will also direct and work on the project with a young set designer. This collaboration aims to involve students and graduates in the theater process and provide them with a platform.

However, the artistic direction of Lilarum remains grounded in the roots laid by Traude Kossatz. Paul Kossatz and Andreas Moritz emphasize that the existing style of theater performances will be retained. Nevertheless, they bring a breath of fresh air into creative work by striving for new collaborations with universities and students.

Technological advances

Looking into the future, Lilarum is also planning technical modernizations. The innovations include the installation of LED lights, which expand artistic freedom while being more environmentally friendly. Such changes are intended to make the theater not only more modern, but also more attractive to a wider audience.

Despite these developments, the fundamental values ​​of theater remain unchanged. Paul Kossatz emphasizes: “The children should continue to find a space where they can be children.” This commitment to a child-friendly environment remains central, which is why the connection to the founding personality, Traude Kossatz, will continue to be maintained. She occasionally offers advice when needed.

For Lilarum fans, a revival of Traude Kossatz’s last piece, “Mia and the Shadow Spot”, is also on the program. This will be on display at Göllnergasse 8 from November 2nd to 24th. With this change, the Lilarum puppet theater is relying on an exciting mix of tradition and innovation, which will keep it relevant on the Viennese theater landscape.

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