Film start: Anora - a colorful love swarm in the cinema

Film start: Anora - a colorful love swarm in the cinema

Lately, several important developments in the film world have become known that affect both old classics and new works. Above all, the award of Sean Baker's film "Anora" at Cannes Film Festival causes discussions. This variant of "Pretty Woman", which was moved to New York, was able to win the Golden Palm and will soon be seen in German cinemas. Kamil Moll describes the film as a mixture of colorful love swarm and an urban crime grotesque. The dynamic narrative moves parallels to previous Hollywood films, but has its own, distinctive note that does not meet enthusiasm for all critics.

The reviews are split; Tobias Kniebe from the Süddeutsche Zeitung is skeptical about the award of the film because he sees a certain absurdity in the present time. Kniebe notices that the representation of the main character, a young and attractive man, puts Richard Gere's image in the shade from the original history. Such performances lead to the question of the authenticity of portrayed relationships and show how far entertainment from realistic representations can be.

The fight against anti -Semitism in the film

Another important point that stimulates discussion comes from Günter Rohrbach, a former film producer. In a conversation with the Zeit he expresses his concern about the increasing anti -Semitism in society. Rohrbach, which is known for having spread the US series "Holocaust" despite resistance in Germany, emphasizes that the current fear of Jews on the street is alarming. He wonders whether the constant representation of Jews as victims in films could contribute to a social understanding that requires a change.

In addition, the Israeli psychoanalyst Zwi Rix addresses the complex relationship between German and Jews, which is characterized by feelings of guilt and defense mechanisms. Dan Diner, an Israeli historian, continues in his considerations and describes the Holocaust as a negative choice of the Jewish people, which means that Jews are the goal of hostility. These considerations make a highlight of the need to rethink the narration in films and possibly put a new picture of Jews in the foreground as a living person.

In the meantime, further activities in the film world are also running. Silvia Hallensleben sums up the viennale in the taz , and Patrick Holzapfel recommends a retrospective of Mia Hansen-Løve in Bern in the NZZ . In another article, David Steinitz chats in SZ with the actor Jan Josef Liefers, who recently could be seen in Simon Verhoev's comedy "Old White Man". These conversations and reviews illustrate the life cycles of the media and their influence on social awareness and culture.

The latest reviews and discussions about films such as "Anora" and the intolerance of anti-Semitism issues require lost reflections about the way stories are told. The film sector is at a point of the re -evaluation, which contains both challenges and opportunities. Information about these topics and more sz and Filmdienst regularly about the current theatrical descriptions of the week and beyond.

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