Art meets the future: Judith Fegerl's silent machines in the Melk Abbey Park

Art meets the future: Judith Fegerl's silent machines in the Melk Abbey Park

In Melk's picturesque Park, a fascinating art spectrum has developed, which stimulates the senses and stimulates thinking. Judith Fegerl's "Silent Machines" now adorn the garden pavilion and invite visitors to dive into a world that is beyond the visible. The opening of this unique exhibition took place on Friday, in which guests gathered under the artistically designed palm trees and impressive wall paintings by Johann Wenzel Bergl.

The intention behind the "quiet machines" is to make the hidden visible and to create a connection between art and spirituality. Father Ludwig Wenzl emphasized that these works of art may also remember God, who cannot be found in the "big and powerful things", but rather in "gentle whispering". Globart director Jakob Brossmann explained that the machines will continue the long tradition of fine arts in Lower Austria and create a place for "silent perception" and "quiet discourse".

insight into the future

The exhibition is not just a review of art history; It also serves as a view of future events. Judith Fegerl will be part of the "Days of Transformation" on October 25, which are devoted to the topic of "distrust". The three -day event promises an interesting mix of cultural and intellectual articles, with a prominent guest list, which includes author Marlene Streeruwitz and musician Lukas Lauermann.

The vernissage attracted many visitors who were looking for dialogue about art and their social relevance at pumpkin soup and "machine cake". Among those present were Globart President Hans Hoffer and other important personalities of the art scene. The exhibition will be shown in the garden pavilion until October 31, where the "quiet machines" offer a room for reflection and reflection, far from modern everyday life.

Fegerl's works are more than just visual objects; They create an atmosphere of the amazement and calm, which invites visitors to think about the inner mechanisms of life. "What we shouldn't see in the first place," said the artist, is often what concerns us the most. This deeper message is reinforced by the atmospheric backdrop of the abbey park.