Success for Renaissance music festival: Höhne inspires Wittenberg!

Success for Renaissance music festival: Höhne inspires Wittenberg!

Wittenberg/Mz. -After the 19th Wittenberg Renaissance Music Festival, which recently ended, Thomas Höhne, the director and founder of the festival, commented on the events. On September 30, he took a first balance sheet and describes the course of the event as "above average". This assessment may sound simple, but it contains complex aspects that have made the festival special this year.

Although specific figures for the number of visitors are still waiting, Höhne reports that the festival tends to address a larger audience than in previous years. This may also be due to the increased participation of people from the Wittenberg region. The positive response and commitment of the spectators have triggered the director of the director.

impressive highlights of the festival

The festival presented a varied program that included both classic and contemporary Renaissance music. Artists from all over Germany and beyond contributed to the variety of performances. From concerts in picturesque churches to exciting workshops that gave the audience deeper insights into the world of Renaissance music, the offer was diverse and appealing.

Höhne emphasizes that the reduction of the concerts, the intimate atmosphere and the interaction between artists and the audience have made a decisive contribution to captivating visitors. "It was a big goal to inspire people again for music," he explains. These personal experiences, coupled with high -quality music, promote belonging and make the festival a unique experience.

Another important aspect is the commitment of teams on site that ensured perfect organization. The smooth process and the warm atmosphere were mentioned positively by many visitors. Höhne is aware that such a positive experience is carried by a strong team and is grateful for their use.

The Wittenberg cultural landscape has continued to enrich itself through the festival. It is expected that the positive record of the festival could also inspire future events. Höhne intends to use the positive aspects experienced in order to win even more people for Renaissance music next year, both in the region and beyond.

Overall, it can be seen that the 19th Wittenberg Renaissance Music Festival was not only a musical event, but also a cultural event that rekindled interest and enthusiasm for this type of music. The next edition is eagerly awaited, and it remains to be seen which new ideas and impulses of highs and his team will implement in the coming year. To what extent these changes can improve the experience is an interesting question for the future.

For a detailed view of the festival and the assessments of Thomas Höhne, see the report on www.mz.de .