Kurdwin Ayubs White Widow: Theater plays boundaries and clichés!

Kurdwin Ayubs White Widow: Theater plays boundaries and clichés!

Kurdwin Ayub's new play "White Widow" celebrated its premiere on the Berlin Volksbühne on Friday. Ayub, born in Iraq in 1990 and as a toddler, is one of the most exciting directors in the current theater landscape. Her work questioning clichés and questioning Euro -Centralized perspectives. In "White Widow" she addresses her experiences as a young artist with a migration background and takes the audience into a dark future.

The piece plays in the Islamic State of Europe in 2666. Queen Aliah, embodied by the rapper Adden, has an unsightly sexual pleasure and kills her lovers after a night. Cezaria, her daughter, is pushed into violent deeds by Aliah and plans a revolution for love and kindness. Dieter Weißmann, played by Georg Friedrich, tries to stop the murders and brings humorous and critical elements to the staging.

visual and thematic elements

The staging is visually impressive, with a large spider and a court in striking costumes. Humor is used to process critical topics without lifting the index finger. Music plays a central role, partly drowning out the dialogue. Tikok videos that put Islam onto the grain expand the satirical dimension of the piece. The combination of trash elements and meta-levels ensures a complex theater evening.

"White widow" not only criticizes men in cultural business, but also the prevailing advice from the film scene, which prescribes young filmmakers with a migration background how they should design their work. During the performance that lasts an hour and a half, the audience experienced an evening full of exciting conflicts and persistent applause.

performance dates

The piece is performed as part of the Vienna Festival from June 6th to 8th in the Vienna Volkstheater. Further dates are on Saturday, 13th and Sunday, 7.30 p.m. The Berlin Volksbühne is also planning additional performances on February 16 and 22 and on March 17th and 22nd.

The staging "White Widow" by Kurdwin Ayub not only represents an artistic argument, but also reflects topics that are relevant in the current theater landscape. The reference to cultural identity and the role of theater in society is urgently shown in Ayub's work. " Kleine Zeitung " reports that the piece is characterized by a clear visual language and ironic humor, " Sn "emphasizes the critical reflection and the comparison with identity issues in the European theater landscape. In addition, the publication " Humanities "