Kurdwin Ayubs White Widow: Teater spiller grænser og klichéer!

Kurdwin Ayubs White Widow: Teater spiller grænser og klichéer!

Kurdwin Ayub's new play "White Widow" celebrated its premiere on the Berlin Volksbühne on Friday. Ayub, born in Iraq in 1990 and as a toddler, is one of the most exciting directors in the current theater landscape. Her work questioning clichés and questioning Euro -Centralized perspectives. In "White Widow" she addresses her experiences as a young artist with a migration background and takes the audience into a dark future.

Stykket spiller i den islamiske stat i Europa i 2666. Dronning Aliah, legemliggjort af rapperen Adden, har en grim seksuel fornøjelse og dræber sine elskere efter en nat. Cezaria, her daughter, is pushed into violent deeds by Aliah and plans a revolution for love and kindness. Dieter Weißmann, played by Georg Friedrich, tries to stop the murders and brings humorous and critical elements to the staging.

visual and thematic elements

The staging is visually impressive, with a large spider and a court in striking costumes. Humor is used to process critical topics without lifting the index finger. Music plays a central role, partly drowning out the dialogue. Tikok videos that put Islam onto the grain expand the satirical dimension of the piece. The combination of trash elements and meta-levels ensures a complex theater evening.

"White Widow" kritiserer ikke kun mænd i kulturel forretning, men også det herskende råd fra filmscenen, der foreskriver unge filmskabere med en migrationsbaggrund, hvordan de skal designe deres arbejde. During the performance that lasts an hour and a half, the audience experienced an evening full of exciting conflicts and persistent applause.

performance dates

The piece is performed as part of the Vienna Festival from June 6th to 8th in the Vienna Volkstheater. Further dates are on Saturday, 13th and Sunday, 7.30 p.m. The Berlin Volksbühne is also planning additional performances on February 16 and 22 and on March 17th and 22nd.

iscenesættelsen "White Widow" af Kurdwin Ayub repræsenterer ikke kun et kunstnerisk argument, men afspejler også emner, der er relevante i det nuværende teaterlandskab. The reference to cultural identity and the role of theater in society is urgently shown in Ayub's work. " kleine zeitung " rapporterer, at stykket er kendetegnet ved et klart visuelt sprog og ironisk humor, " sn "fremhæver den kritiske refleksion og sammenligningen med identitetsspørgsmål i det europæiske teaterlandskab. Derudover publikationen " humanities "