Passion for folk music: Wolfgang Hafner's treasure from 40 years of collection
Passion for folk music: Wolfgang Hafner's treasure from 40 years of collection
in the heart of Carinthia, in the city of Wolfsberg, Wolfgang Hafner realizes a passionate mission: for over 40 years he has compiled an impressive collection of folk music culture. With thousands of records, cassettes and souvenirs, his passion is not only a personal pleasure, but also a legacy that he shares with his son Dominik. Like orf.at , the 16-year-old, who has been making music since he was six, inspires himself for folk music and accompanies his father in the search for further treasures of this unique music direction. Together they browse flea markets in the hope of discovering special finds that enrich the musical legacy.
When caring for the collection, not only the sound carriers play a role - photos, autographs and stage clothing from the Fidelen Lavanttalers can also be found here. Wolfgang Hafner explains that the stories behind the music are also of great importance. His search for older recordings and reports on the beginnings of the groups shows how important the connection to the history of folk music is. Despite his sporting career in judo, where he became Vice European Champion with the seniors, he pursues his goal of learning an instrument one day. This family connection to folk music could create a cross -generational heritage.
controversy around the Kunsthaus Zurich
In parallel to Hafner's musical passion, there is a different story in the focus of Switzerland: the construction of the new Zurich Kunsthaus, which is the focus of the debate through provenance research on the Bührle collection. The foundation is confronted with questions about the origin of its works, which are classified in the context of National Socialism. Just as infosperber.ch remains unclear how the art house deals with the darkest of the richest Zurich. The close connection from Emil Bührle to the Wehrmacht and his role during the Second World War throw a shadow on his collection. The discussion about the "fair" price and the delivery of the artificial boards dominates the public debate, while the Bührle Foundation argues that one only wants to concentrate on the works themselves.In addition, the question arises whether the Kunsthaus should deal with Bührles legacy openly and honestly. There are considerations to exhibit one of the 20 mm cannons in the new pavilion that were directly related to Bührles arms production. In this area of tension, it is uncertain whether the planned location is correctly conveying the complex legacy or whether the works of art are regarded as mere financial assets. An active dialogue could not only include the citizens, but also the artists of the city to question the historical contexts of art and their exhibition.
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| Ort | Wolfsberg, Österreich |
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